Set 1: Buried Alive > Poor Heart > Horn > Foam, Guyute, I Didn't Know, Bouncing Around the Room > Down with Disease, Sweet Adeline Plenty of bluegrass tunes and a memorable expanded Funky Bitch. Oh Yeah Habibi is an exceptional example of a full-grown cross-over album.Īnother archival Phish release is available for streaming and download: Jesse Auditorium, University of Missouri, Columbia, MO.
With tracks like Two Trains, a blend of 12-bar blues and Middle-Eastern vocalizing, and the call-and-response vocals in The Moment, they proof once again that they have a sharp eye for political turmoil, without succumbing to pontificating. The members of NO Blues decided to stick together and create something new, honoring the old Socrates adage that the whole is greater than the sum of its parts. When two genres meet at a crossroads is common practice to trade a couple signature elements after which they go their separate ways. First and foremost a live act their studio records serve as snapshots of their development and the tracks new one album Oh Yeah Habibi are the culmination of ten intensive years as a working band. They named their style arabicana and have grown into a festival favorite. The instrumentals The Horse and The Inlaw Josie Wales were fairly easy by comparison, but she didn't shun the challenge of A Song I Heard The Ocean Sing and The Squirming Coil.ĭutch quintet NO blues are a one of kind band, mixing electric blues with musical instruments from the Middle Eastern school. The first one is more straightforward filled with concise reinventions of studio tracks for which she choose to capture the vocals with her right hand mostly. Bowling had to bottle the on stage spontaneity. The second disc is dedicated to three major jam vehicles from the band 20 tours : the Tahoe Tweezer obviously, The Wedge and Twist. After getting a lot or positive feedback it turned into the recording of a double album - a crowdfunding campaign took care of the studio bills.ĭistillation of a Dream: The Music of Phish Reimagined For Solo Piano is a tour de force and a labor of love. She put it up a video of her performing it. When she witnessed the Vermont jam band deliver a monster Tweezer at Lake Tahoe on Jshe decided to transcribe the whole thing for solo piano, all 37 minutes of it. She attended more than 300 shows, always hoping for a major extended jam or at least hearing something new, be it a change of key, tempo, the insertion of a snippet of another song. Classically trained piano player Holly Bowling loves Phish.
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